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Visual Arts
Page 3/3 | Showing results 31 - 41 of 41
2011, Vol. 3 No. 08
The function of caricature within the public sphere can be described as a subversive weapon.[1] It can be said that caricature as a subversive medium can function as an instigator of social, political and artistic change within a social framework... Read Article »
2011, Vol. 3 No. 08
The development of motion picture complexity has been driven by a continuing technological evolution, ignited and manipulated by human initiative and inventiveness, which has afforded filmmakers the opportunity to practice a more complex craft to... Read Article »
2011, Vol. 3 No. 08
The Ancient Egyptian goddess Taweret, ‘the Great One’, is depicted by scholars and in ancient Egypt as being the protective goddess of mother and child during pregnancy and childbirth. As with many ancient Egyptian deities, she goes... Read Article »
2011, Vol. 3 No. 07
In fourteenth century Medieval Europe the theme of the macabre was commonplace as seen by an overwhelming obsession of cadaverous legends and images created prior to the Black Plague. Illustrations and tales of corpses cavorting with the living... Read Article »
2011, Vol. 3 No. 06
Appropriation refers to the act of borrowing or reusing existing elements within a new work. Post-modern appropriation artists, including Barbara Kruger, are keen to deny the notion of ‘originality’.[2] They believe that in borrowing... Read Article »
2011, Vol. 3 No. 02
Andrei Rublev (c. 1360-1430) is a mysterious figure, whose biography is not well known, although he is historically considered the best-known painter of Russian icons and frescoes. Early in his life he joined the Trinity-Sergei Lavra Monastery,... Read Article »
2010, Vol. 2 No. 03
The Musée du Quai Branly opened under the long shadow of the Eiffel Tower in 2006 to spectacular criticism. Initiated primarily at the behest of then-President Jacques Chirac (b. 1932, held office from 1995-2007), the museum possesses an... Read Article »
2010, Vol. 2 No. 02
“You have created a Museum; carefully assemble here every masterpiece which the Republic [of France] already possesses…and the entire world will be eager to deposit its treasures, its singularities, its accomplishments; and the documents... Read Article »
2009, Vol. 1 No. 12
Art Nouveau is the so-called “modern style” developed at the turn of the 19th century. Although it is dated roughly between 1890 and 1910, its first true recognition as an important new movement in art and design occurred at the Universal... Read Article »
2009, Vol. 1 No. 12
Film critic Andre Bazin had very strong feelings on the subject of montage and realism. In his article “The Evolution of the Language of Cinema”, he explains his theory that montage, although necessary in many cases to make a film work... Read Article »
2009, Vol. 1 No. 11
Walter Benjamin (1892-1940), a key twentieth-century cultural theorist, has been influential in various fields, including art and literary criticism. He wrote “The Work of Art in the Age of Mechanical Reproduction” in 1935 to examine... Read Article »
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