Film History  (tagged articles)

Examining the Complex, Subjective Filmography of Oliver Stone: A Comparison and Critique of JFK to Nixon and Platoon to Heaven & Earth

Mang Lu - Oliver Stone's filmography has levied an unprecedented effect on the popular understanding of American history, especially of the turmoil surrounding the Vietnam War and the assassination of John F. Kennedy. His style has been described as highly subjective, fantastical... Keep Reading »
Photo: Nic McPhee SA-2

The Technological Evolution of Filmmaking and its Relation to Quality in Cinema

Ryan A. Piccirillo - The development of motion picture complexity has been driven by a continuing technological evolution, ignited and manipulated by human initiative and inventiveness, which has afforded filmmakers the opportunity to practice a more complex craft to tell more complex... Keep Reading »

Hitler's Use of Film in Germany, Leading up to and During World War II

William K. Boland - German cinema from 1927 to 1945 was affected drastically by the political environment that grew within the nation. After Germany suffered drastically at the hands of the Versailles treaty and its reparations clause, Adolph Hitler, the Fuhrer of Nazi Germany, and the... Keep Reading »
 
 

The keyword Film History is tagged in the following 5 articles.

Film Criticism
2020, Vol. 12 No. 12
Examining the Complex, Subjective Filmography of Oliver Stone: A Comparison and Critique of JFK to Nixon and Platoon to Heaven & Earth
By Mang Lu
Oliver Stone's filmography has levied an unprecedented effect on the popular understanding of American history, especially of the turmoil surrounding the Vietnam War and the assassination of John F. Kennedy. His style has been described as highly... Read Article »
Oliver Stone Film History Film Studies American History Vietnam War Richard Nixon John F. Kennedy
Film
2013, Vol. 5 No. 06
Power and Presence in Fritz Lang's M (1931)
By Zachary B. Wunrow
In the penultimate scene of Fritz Lang’s M (1931), mentally-disturbed child murderer Hans Beckert (Peter Lorre) falls to his knees before a kangaroo court and cries out, “I have to roam the streets endlessly, always sensing that someone... Read Article »
Film Reviews Cinematography German Expressionism Fritz Lang Film History
Film Making
2011, Vol. 3 No. 08
The Technological Evolution of Filmmaking and its Relation to Quality in Cinema
By Ryan A. Piccirillo
The development of motion picture complexity has been driven by a continuing technological evolution, ignited and manipulated by human initiative and inventiveness, which has afforded filmmakers the opportunity to practice a more complex craft to... Read Article »
Film Film History Technology Filmmaking Cinema
World War II
2010, Vol. 2 No. 03
Hitler's Use of Film in Germany, Leading up to and During World War II
By William K. Boland
German cinema from 1927 to 1945 was affected drastically by the political environment that grew within the nation. After Germany suffered drastically at the hands of the Versailles treaty and its reparations clause, Adolph Hitler, the Fuhrer of... Read Article »
World War II Film Film History Germany Cinema Adolf Hitler Nazi Fritz Lang World War II Cinema
Andre Bazin
2009, Vol. 1 No. 12
An Analysis of Film Critic Andre Bazin's Views on Expressionism and Realism in Film
By Katherine Blakeney
Film critic Andre Bazin had very strong feelings on the subject of montage and realism. In his article “The Evolution of the Language of Cinema”, he explains his theory that montage, although necessary in many cases to make a film work... Read Article »
Film Film History Expressionism German Expressionism Neorealism Andre Bazin Sergei Eisenstein Battleship Potemkin Caligari Faust F.W. Murnau Orson Welles Citizen Kane

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