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Articles by Katherine Blakeney
Found 10 articles
2011, Vol. 3 No. 01
F.W. Murnau had a diverse and artistic upbringing, and led an international lifestyle as an adult. His experiences, interests, and education naturally had a profound effect on the way he viewed the world and expressed himself artistically. Writing... Read Article »
2010, Vol. 2 No. 01
Jean-Baptiste Clamence in Albert Camus's The Fall and the mysterious Ancient Mariner in Samuel Taylor Coleridge’s Rime of the Ancient Mariner each experience something that radically shifts his worldview and his view of himself. Arrogant and... Read Article »
2010, Vol. 2 No. 01
It is tempting to classify literary, cinematic, and historical characters into groups. The trouble, of course, is that such labels can be misleading at best, and severely subjective and variable. When using terms such as hero, villain, anti-hero... Read Article »
2010, Vol. 2 No. 01
William Shakespeare’s Richard III is no doubt a fascinating character and an entertaining villain. It is Shakespeare’s command of the English language, and his keen sense of drama and psychological depth, that make his plays so affecting... Read Article »
2009, Vol. 1 No. 12
The number of ancient sources available to the readers and playwrights of Elizabethan times was truly immeasurable. These sources could be reached both as original texts in Greek and Latin, and in French and English translations. Popular indirect... Read Article »
2009, Vol. 1 No. 12
The French historian Jean de Joinville was born into a noble and influential family in Champagne in 1224.[1] He took the cross in 1248 to join the first crusade of Louis IX. His decision to go on crusade was at least in part influenced by the long... Read Article »
2009, Vol. 1 No. 12
Chaucer’s description of “the Knight” in his “General Prologue” may be seen as a multi-layered narration. First he gives a very precise and historically relevant account of his campaigns. Based on what Chaucer knows... Read Article »
2009, Vol. 1 No. 12
Art Nouveau is the so-called “modern style” developed at the turn of the 19th century. Although it is dated roughly between 1890 and 1910, its first true recognition as an important new movement in art and design occurred at the Universal... Read Article »
2009, Vol. 1 No. 12
In her article “Visual Pleasure and the Narrative Cinema”, Laura Mulvey describes a way of analyzing and understanding cinema from a feminist and psychoanalytic perspective. A very similar approach is taken by Molly Haskell in her review... Read Article »
2009, Vol. 1 No. 12
Film critic Andre Bazin had very strong feelings on the subject of montage and realism. In his article “The Evolution of the Language of Cinema”, he explains his theory that montage, although necessary in many cases to make a film work... Read Article »
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