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Film Studies (tagged articles)
The keyword Film Studies is tagged in the following 19 articles.
2021, Vol. 13 No. 03
Techno-horror is a sub-genre of horror defined by the use of science or technology as the source of horror, and often, this genre is used to critique modern technology. However, due to the intertwined nature between techno-horror and contemporary... Read Article »
2021, Vol. 13 No. 02
The Virgin Suicides written by Jeffrey Eugenides, as well as Sofia Coppola’s film adaptation, utilize the literary and cinematic tropes of suicide to explore female suicides as romantic notions and assertions of agency within the teenage world... Read Article »
2021, Vol. 13 No. 02
This article explores the way in which Quentin Tarantino’s Inglorious Basterds challenges the myth of the American hero and criticizes the glorification of war cinema by satirizing the viewer directly. The particular focus is on the subtly... Read Article »
2020, Vol. 12 No. 12
Oliver Stone's filmography has levied an unprecedented effect on the popular understanding of American history, especially of the turmoil surrounding the Vietnam War and the assassination of John F. Kennedy. His style has been described as highly... Read Article »
2020, Vol. 12 No. 10
This paper argues that film is a medium defined by its relationship to memory. Building upon aesthetician György Lukács's temporal theory of cinema, I contrast film's inherent relationship to memory with the “eternal present&rdquo... Read Article »
2020, Vol. 12 No. 10
In this essay, I provide a content analysis of commercially and critically successful films that perpetuate popularized Islamophobia, which is often masked as irreconcilable religious and cultural difference although it has in fact been consistently... Read Article »
2020, Vol. 12 No. 09
Often regarded as the glorious palace showcasing contemporary world cinema (“Press Conference”), the Cannes Film Festival epitomizes the roles of an accreditor, an archaeologist, and a political activist. It jumpstarts the careers of... Read Article »
2020, Vol. 12 No. 02
The 1921 Hollywood film The Sheik tells the story of Lady Diana Mayo, a spirited English peeress who, on a trip to the French Sahara, is kidnapped by and eventually falls in love with the Arab sheik Ahmed Ben Hassan. The film made Rudolph Valentino... Read Article »
2019, Vol. 11 No. 10
Jean Baudrillard’s essay ‘The Precession of Simulacra’ from Simulacra and Simulation (1981) is a key postmodern text to understanding the contemporary technological Western world. ‘The Precession of Simulacra’ explores... Read Article »
2017, Vol. 9 No. 11
“Disney perpetuated a male myth through his fairy-tale films,” argues Jack Zipes (1995, p. 37). He writes that Walt Disney framed “women’s lives through a male discourse” in his films (p. 36), and that he reinforced... Read Article »
2016, Vol. 8 No. 10
Pride and Prejudice, the work of nineteenth century novelist Jane Austen, has been celebrated for over two-hundred years since its first publication. It has been adapted, reinvented and re-imagined over and over again to the delight of both loyal... Read Article »
2016, Vol. 8 No. 10
Hong Kong is standing at a crucial social and political juncture in its history. A former British colony, it has retained its unique legal system, electoral system, and political democracy. These systems have worked together to create a society... Read Article »
2016, Vol. 8 No. 09
The evolution of the moving image from the seemingly simplistic Edison/Dickson shorts of the late 19th century to the technically complex CGI infused blockbusters flashing on multiplex screens today is certainly one propelled by opposition. Technological... Read Article »
2016, Vol. 8 No. 09
A doorbell rings. Off screen, we hear a sing-songy “Coming!” A woman dressed in a cerulean track suit rushes to the door, expecting to find her daughter home from school. Instead, she finds another woman, blonde and leather jacket-clad... Read Article »
2016, Vol. 8 No. 06
By and large, today’s Western audience is unlikely to be roused by the story told in The Danish Girl (2015, directed by Tom Hooper), although it is based on true events. The artist Einar Wegener is in gender trouble:[1] he was born in a male... Read Article »
2014, Vol. 6 No. 10
In her seminal essay "Visual Pleasure and Narrative Cinema" Laura Mulvey (1975) connects psychoanalytic concepts of scopophilic desire1 and Jaques Lacan's theory of the Mirror Stage2 (1966), to the cinema spectator's gaze. Mulvey limits her argument... Read Article »
2014, Vol. 6 No. 03
The need for individuals to categorize themselves and others based on gender has guided the way individuals interact with one another throughout history. The construction of gender, particularly when it comes to young males, has led to the amplification... Read Article »
2010, Vol. 2 No. 03
Twentieth Century Fox was right to question the likelihood of box-office success for James Cameron’s $200 million film Titanic: “an Edwardian period piece, a costume film, a romance, a story whose ending was known – and a &lsquo... Read Article »
2009, Vol. 1 No. 12
In her article “Visual Pleasure and the Narrative Cinema”, Laura Mulvey describes a way of analyzing and understanding cinema from a feminist and psychoanalytic perspective. A very similar approach is taken by Molly Haskell in her review... Read Article »
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