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Literature
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2014, Vol. 6 No. 09
In an interview in The Paris Review (1968), John Updike denies that characterization is a primary goal of fiction. While he believes that narratives can contain psychological insights, he argues that the “substance” of a story is the... Read Article »
2014, Vol. 4 No. 1
This article is a brief overview of The Lorax, by Dr. Seuss, the story of a repentant ex-industrialist who tells a tale of environmental degradation in the name of industrialism, progress, and profit, heedless of warnings from the Lorax—who... Read Article »
2014, Vol. 6 No. 06
As an African American author, Toni Morrison is acutely aware of the pain that is intertwined with the history of her history. She articulates the debilitating physical and psychological strain that slavery, prejudices, and discrimination placed... Read Article »
2014, Vol. 6 No. 06
Virginia Woolf’s To the Lighthouse is a novel of artists and within its pages appear two characters who are clearly labeled as such. One artist is Augustus Carmichael, the poet who spends his days reclining on the lawn. We are told that his... Read Article »
2014, Vol. 6 No. 05
Ever since its original emergence, Gothic fiction has been shaped by a unique narrative direction that is often described by scholars and readers alike as retrospective, repetitive, or circular in nature. Gothic texts progress as if through a series... Read Article »
2014, Vol. 6 No. 04
When examining the works of both George Eliot and Virginia Woolf, many critics are quick to assess the credibility and quality of characters based on how they react to the external experiences they are faced with in their imaginary worlds. However... Read Article »
2014, Vol. 6 No. 04
Contrary to the scintillating promise of its title, Spenser’s Faerie Queene is a far cry from the insubstantial delights of light fantasy fiction. A narrative poem in six books, this hefty labyrinthine work chronicles the quests of the patron... Read Article »
2014, Vol. 6 No. 04
Charlotte Brontë invests gothic elements in Jane Eyre with a symbolic meaning to create a new, ‘female’ language. It is through this female Gothic language that Brontë creates a heroine whose autobiographical mode of writing... Read Article »
2014, Vol. 6 No. 03
Whether real or symbolic, the family and the relationships within family units are a frequent theme in Mark Twain’s classic Adventures of Huckleberry Finn. Because there are many parallels between the characters and events within Huck Finn... Read Article »
2014, Vol. 6 No. 01
In "Goblin Market" (1862), Christina Rossetti (1830‑1894) presents a story of two sisters who must endure carnal lust in order to embrace a higher and purer realm of sexuality: marriage. This poem is a story of renunciation, but not one of... Read Article »
2014, Vol. 10 No. 1
The persistence of racism within the working class is a fundamental problem for any Marxist analysis of race, and there have been several attempts to solve this problem within the Marxist tradition. Most traditional understandings, however, turn... Read Article »
2013, Vol. 5 No. 11
Critical opinion of Rudyard Kipling, his imperialism, and his oeuvre has radically changed in the last century. Depending on the literary history and the time period, Kipling has been seen as either an exclusively South African poet (Warren 415),... Read Article »
2009, Vol. 5 No. 2
With these haunting final words, the young queen of Virgil's Aeneid, Dido, takes her life on a flaming pyre of her lover's belongings. The death of Dido is one of the most poignant moments in classical literature. Dido begins as an independent queen... Read Article »
2013, Vol. 5 No. 10
Critics often ignore transracial adoption as a literary theme in both Catharine Sedgwick’s Hope Leslie; Or, Early Times in Massachusetts (1827) and Helen Hunt Jackson’s Ramona, A Story (1884), as these two texts’ portrayals of... Read Article »
2013, Vol. 5 No. 10
James Joyce's Ulysses is first and foremost a political novel, a "real Irish nationalist epic in its most . . . politically figurative form" (Bowen vii). Joyce himself stated that Ulysses "is the epic of two races," Israel and Ireland ("To Carlo... Read Article »
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