Musicology (tagged articles)Bach and the Style Galant: Progressive Elements in the Italian ConcertoMaggie Lu - While the music of Johann Sebastian Bach is often characterized by elaborate Baroque counterpoint and a relatively conservative set of aesthetic principles, elements of the emergent galant fashion are exemplified in certain mid-to-late career compositions. The galant... Keep Reading »
Press Play for Politics: The Weapon of a Eurovision SongTinatin Japaridze - On the first day of 2010, I got a phone call from the Georgian Public Broadcaster (GPB), the official organizers of Eurovision Song Contest’s Georgian chapter. The Eurovision Song Contest (ESC) is an annual event that attracts some 800 million viewers around... Keep Reading »
Adorno's Bach-Schoenberg Connection: Frivolity and ExpectationTristan Gans - Adorno’s case is built on the composers’ treatment of melodic subjects, which he views as ‘pure’ in an intellectual and philosophical sense. He contrasts this to the work of the classical and romantic composers, specifically Beethoven, whose... Keep Reading »
The Sounds of Resistance: The Role of Music in South Africa's Anti-Apartheid MovementMichela E. Vershbow - “A song is something that we communicate to those people who otherwise would not understand where we are coming from. You could give them a long political speech – they would still not understand. But I tell you: when you finish that song, people will be... Keep Reading »
Photo: Klaus Hiltscher NCSA-2
Innovation or Desperation: David Bowie's "Little Wonder"Katherine M. Baltrush - Despite releasing twenty-two albums in the nearly thirty years between his debut in 1967 and the commercially rejected No. 1 Outside, the general opinion of David Bowie in 1996 was that, though a living legend, he had not recorded anything worthwhile since his 1980... Keep Reading »
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